It is perhaps the most complex sequence in terms on animated acting and one of the longest sequences in the entire film. Despite being a complete pain to colour, I am incredibly pleased with how this turned out. I think this sequence might be the best thing I've ever animated so far - almost everything about it works so well. Hopefully the rest of the film can keep up this level of quality.
The file size of the clip is too big for Blogger, so here is a Google Drive link:
https://drive.google.com/open?id=1tk7Shsseq--h2f8Vozk2OE1K7txJ5WpmToday I also began the roughs for Shot 12.
Since we lost the ability to use the uni's facilities this Wednesday, I want to make as much progress on this sequence as possible as it is also one of the more challenging scenes in the film and I would prefer to get most of it done in the more comfortable and practical set-up that uni provides, although the rest of it I will do at home with my own copy of TVPaint.
(Update: never mind we're in lockdown)